Do you think it's a conspiracy? Do you think the reviewers are lying? If not, is it not just possible, as has ALWAYS been the case that critical and public reception don't match up? I've also checked what many of the audience reviews say, I'm not sure they are completely objective reviewers
I mean, are you not aware of RT audience scores being gamed by those obsessed with blaming identity politics.
Of course there are negative user-reviews of Nanette to spite RT. That was my point. Closer to reality with fair reviewing protocols would have Chappelle & Nanette probably being quite close in scores (both specials objectively have their strengths & weaknesses). This spiting we also see in Brexiteers and Trump supporters who double-down on their support because the mainstream double-down on their opposition. Here, the natural human response of fight or flight tends to produce only the
fight response, as there's no physical danger present, only ideological attacks.
The woke movement's methods thus become counter-productive* as they end up producing more opponents than they originally had.
*tho' there is a school of thought that those behind the woke movement (i.e. publishers, editors) are only interested in clicks-driving ad revenue. Those driving the movement (opinion writers, commentariat, cheerleaders) are oblivious or gleefully clickbaiting along. It's a fun game for many, I suppose.
Surely you don't think a 33/99 spread for Chappelle and 100/35 spread for Nanette is based on fair reviewing protocols? RT handpick which critics-reviews make the cut. They thus effectively decide if something is 'hot' or 'rotten'. I wouldn't care normally, but as I mentioned earlier they have a big influence on mainstream media. They are blatantly attempting to shape acceptable cultural tastes of the masses.
It's cultural propaganda. If you have a convincing Gegenargument then I'd like to hear it.
Stewart Lee got this right for me:
"The African-American stand-up Chris Rock maintained that stand-up comedy should always be punching upwards. It’s a heroic little struggle. You can’t be a right-wing clown without some character caveat, some vulnerability, some obvious flaw. You’re on the right. You’ve already won. You have no tragedy. You’re punching down. You can be a right-wing comedy columnist, away from the public eye, a disembodied, authoritarian presence that doesn’t need to show doubt. Who could be on a stage, crowing about their victory and ridiculing those less fortunate than them without any sense of irony, shame or self-knowledge? That’s not a stand-up comedian. That’s just a [inappropriate language deleted]."
I get the sentiment, but who is up and who is down is often in the eye of the beholder. Putting people in pigeon-holed groups is the problem anyway, whether that's to categorise in punch-up or punch-down groups, or a 'comedian' making a bigoted joke about Pakistani taxi drivers.
So I disagree with Chris Rock/Stewart Lee that if you're a white Tory/Trump voter you've "already won". One guy from that group may be a depressed alcoholic living in a filthy bedsit unable to see his kids because his wife doesn't return his calls. He has no tragedy? He's already won?
People are individually far more complex than the groups they get assigned to in this identity-politics age. That's why if I'm in the mood for comedy I prefer this fella, who's not arsed with any of that: