Shiny Happy People on REMs 'out of time'
that’s the first example I thought of but then realised that’s an opinion I used to hold but now that the song isn’t so overplayed, many years later, I like it again
Shiny Happy People on REMs 'out of time'
I don't mind the song on it's own but it's weird when playing the whole album through.that’s the first example I thought of but then realised that’s an opinion I used to hold but now that the song isn’t so overplayed, many years later, I like it again
I don't mind the song on it's own but it's weird when playing the whole album through.
I am kind of mixed. I think Rose saw the writing on the wall, and Chinese Democracy showed he knew what he was doing. Its just it was such a hellish project, and the other group members did not support his vision. Having seen both the 'New Guns 'N' Roses' and Velvet Revolver live, it seems clear he was the truly talented one in the band. Him and Izzy Stradlin' were the ones with the real musical chops and vision in my view. Slash is an OK guitarist, but certainly not on the level of the real giants of the genre, such as Ritchie Blackmore, John Sykes, Eddie Van Halen, etc. Hell, he modeled himself on Marc Bolan, and I would say The Slider came up with far better riffs and tunes on the whole.yeah I guess so
I did, to be honest - I like all their albums up to '79. While Leadon was great, I think Walsh was a good fit and the right successor; he also gets some bonus points for In the City, a song I really like in both solo/band versions.Did you like them as much post-Leadon? I know Hotel California was their defining moment, but I felt they were a better group before Joe Walsh came in.
Yeah - they did some good stuff. They just seemed to have more of an identity when Leadon was in the band. In fact, it was more of an actual band, rather than the Henley-Frey show!I did, to be honest - I like all their albums up to '79. While Leadon was great, I think Walsh was a good fit and the right successor; he also gets some bonus points for In the City, a song I really like in both solo/band versions.